With the arrival of the new edition of “A prince for…” – on this occasion three princesses – on the Cuatro nights grid., We could again enjoy Luján Argüelles and sarcastic style narrating the adventures of his "tróspidos" boys. As always, presenter appears in an idyllic setting to tell the news that await us and introduce video. In the first program we saw a sunny Plaza de Oriente –in Madrid– with the majestic Royal Palace behind, and recently we have seen in what looks like the Paseo del Prado , también en la capital. Sin embargo, within seconds of seeing it appear on screen, the retina tells you that something fails to fit ... wait is that a chroma?
And when you throw a loose trickle that unwinds the skein, You'll gradually identifying the elements that show that, in fact, It's about a background with a superimposed image. Observe carefully the image set forth below (forgiveness for resolution, but it is a screenshot of the last program broadcast on 25 de enero):
Fuente: www.cuatro.com
En primer lugar, the location of the chair sits in front of the Luján source puts us on alert about the lack of realism Mount. If you look at the shadow cast by the chair on the lawn or even termination of the legs seat, we find that is not really supported on a vegetable bed. And finally, Silhouette cutting hostess, and the lighting contrast between it and the bottom leaves no doubt that we have a chroma.
What reasons have been able to lead the team of "A prince 3 princesses” – who on the other hand I congratulate for that wonderful work of editing and post-production with the interviews – to resort to recording in a studio instead of on the location itself? Lack of time? Simplify the process ¿? Do you avoid some of the ladies who are walking to stay looking background, or worse, come to ask what string is issued and when?
The fact is that this story made me think about the issue and after a little research, here I bring other questionable chroma, or they have to talk, on Spanish television:
1.The video of Edurne in “Dawn”
The fantastic scenery that surrounds Edurne and its “partner” in the video for his candidacy Eurovision last year it was, obviously, a chroma. And it generated many negative reviews on the net about how it was done. According to some fans, It seemed to have mounted in a hurry Y no time.
The audiovisual piece tells a love story where the lovers are wrapped by a field of time-such spikes too risky for this technique, Because with so much presence of fauna it is very difficult to make it realistic–; We also see the boy's jump over an abyss – representing the action of gravity is the most difficult yet., and a burst of fire before Edurne inside a volcano reminiscent of Mount Doom horrors of "Lord of the Rings”. But as a picture is worth a thousand words, it is best that you judge for yourselves watching video.
Fuente: www.youtube.es
2. El croma diario de “Sé lo que hicisteis”
The former flagship during the first years of “The sixth” He told more than an evening with an improvised chroma that left nothing to the imagination. Nor it had any claim to look real. In fact, presenters themselves referred to him calling his name and even Patricia Conde the singing he “Happy Birthday” once. In the picture you can see Alberto Casado, one of the program partners, in a separate table of the major drivers, pretending to be in a set away, when in fact it was in front of them. It's about a Basic chroma carelessly in lighting because of the haste with which the program was, but maybe those were “improvised air” those who gave the “vidilla” which he allowed them to remain for five years on screen.
Fuente:www.youtube.com
3. The course chroma Lorenzo Mila
In May 2005, a columnist for the newspaper "20 Minutes" opened a controversy accusing the journalist Lorenzo Mila having performed before a chroma false relay from Rome, it was impossible to travel to the city in time to cover the death of Pope John Paul II. Sin embargo, the next day, and in the same newspaper, TVE worker denied by carta the alleged "Exclusive" his collaborator, indicating that Lorenzo Mila, in fact, the day of death was in Madrid and the program did no chroma with other commentators. But the next day, the journalist was already in Rome in live broadcasting. The letter ended with the cry of the workers of the public body about the bad habit of not finding the information and questioning malpractice columnist "20 Minutes".
