Catalina, a girl with angelic face, carefree read a book of love affairs between knights and maidens while savoring with delight sweets in a box that has either. Suddenly, his peace is interrupted by his mother's voice, Magdalena, who claims his presence. Ipso facto, The girl hurries to hide box with candy and the book he held in his hands. And just then it makes its appearance ELLA.
Anabel Alonso returns to the stage with "The metal trompo", from Heidi Steinhardt, which also represents his debut as producer. His commitment to the text and intimate assembly of this show in the central Art Theatre Madrid It is evident with his masterful interpretation incarnating the ignorant and despotic Magdalena. Sin duda, the soul of this work and reap responsible for all those laughs necessary to overcome the dark counterpoint involving her husband, Ricardo, and strict relationship with their daughter.
It is impossible not to laugh with funny faces and imprudent comments and decontextualized an eventful Anabel dominating his environment, pure mood; and whose infinite verbiage at times recalls the mythical Lina Morgan, other large Spanish theater. But Anabel companions have prepared a dark and powerful ingredient for the viewer: Jesus Ruyman consigue estremecer al público con su implacable forma de educar a su hija. In front of him, a frightened Marina Cruz, Conversely, the favor of these wins with his sad eyes and naive timbre.
An afternoon of intellectual games leads to this story that discipline without limits away about strict parents the true goal of education: extol the abilities of his daughter. Quite the contrary. Far from appreciating his virtues, They are determined to clip the wings. Catalina will never be perfect enough for them, but actually exceed them morally and intellectually. Algo que no pasará desapercibido y que marcará la relación con sus progenitores.
El tándem maravillosamente engrasado por estos tres grandes actores y el sorprendente final de la trama hacen de ésta una propuesta muy recomendable que ha sabido conjugar a la perfección el humor ingenuo con el drama más áspero. “A cruel comedy”, in the words of Anabel own, that captivates their interest and originality.
