Zootrópolis: the essence of Disney animals serving the adult audience

Zootrópolis: the essence of Disney animals serving the adult audience

When it carried in a hardened fan of the factory Disney, follies committed. As of closing on a Sunday afternoon in a room full of children to see the latest release of the US giant. There we were, my companion and I, a couple in their thirties immersed in what seemed a cascade macroguardería, donde cada paso hacia el asiento incrementaba el sentimiento de no pertenecer a ese lugar, that context; and in which the shame - mixed with a bit of guilt - for not having chosen another more appropriate film,,es,funiculars to bridge the abysses and a large network of roads are part of this infrastructure network that has nothing to envy that of humans,,es,the slowness of the sloths - who are traffic officials - or the trilera arts of the foxes,,es,And the good thing is,,es,through the figure of its protagonists - a small town bunny and a cunning city fox -,,es,"Naive",,ga,who dreams of being a police officer–,,es, for example "The reborn", from Leonardo DiCaprio, revalued discrete seats against the wall on the side of the room, than at any other time would have been a detestable location. But at that time they were perfect: like the famous arriving incognito to avoid being recognized, that position allowed to hide from the eyes and see the film with an air of sidelong. With a kind of dignity contained, we sat and waited began surreptitiously film.

A few minutes into the film, that modesty be feeling as if enjoying eating up one jar, He disappeared. If, It was an animated film. What if, It was a movie with animals. But humor adult was in the air throughout the projection; in fact, as often happens in these cases, the best gags They were not available to young minds.

Zootrópolis rescues the essence of animals classic Disney of yore, como “Robin Hood”, "The Rescuers" O "Fox and the Hound", and rightly merges with a more acidic style, where irony and sarcasm delight that we are no longer so young, while smaller revel in the design of characters and scenarios.

Animation Zootrópolis It is a feast for the eyes, at least for those who enjoy colorful bright environments and variety of content. The big city is divided into several districts that combine the different ecosystems of the real world -tundra, jungle and desert, and each has an integrated architecture with the landscape in a very original way: Rodent transport tubes, funiculares para salvar los abismos y un gran entramado de carreteras forman parte de esta red de infraestructuras que nada tiene que envidiar a la de los humanos.

But the best of the argument are the comic winks based topicazos: references to the ease of reproduction of rabbits, la lentitud de los perezosos –que son funcionarios de tráfico– o las artes trileras de los zorros. Y lo bueno es que, for once, it's okay to abuse them as they do not hurt anyone, Ideas as they are based on what we know from the animal world, which, It remains oblivious to such Sornas.

Sin embargo, a través de la figura de sus protagonistas –una conejita pueblerina y un zorro astuto de ciudad–, It is shown us a story with very human values: the antagonism between predators Y arrested It leads us to reflect on how the world and we pigeonholed presupposes a certain behavior depending on our circumstances at birth and the context in which we grew up. Y como buena película Disney, and American, We are sending the message that with perseverance, job, and an open mind, You can be what you propose. A message perhaps trite, and very “naíf”, but it is worth at the time of depression that we live. Especially if it is a film with a young audience majority.

As to the history, os dejo que la descubráis en el cine. But he has surprised me the script, intelligent and very complete. Dosing time efficiently: We start with the protagonist's childhood-the bunny Judy Hopps, que sueña con ser policía–, We witness the entire process of their change, and the outcome is as I like: contando lo que ocurre transcurrido un tiempo después del final. And the best part is that the resolution when you think it's next, a new turn of events gives you twenty minutes of fun.

The icing on the cake put the ability to parody other titles of its creators, as “Frozen” Y “Big Hero 6″–, and the soundtrack at the hands of Gazelle, the most famous place singer who lends his voice Shakira. white entertainment spectrum of public growing. Another success to add to Manchester City Disney.

5 thoughts on “Zootrópolis: the essence of Disney animals serving the adult audience

  1. En principio esta película no me llamaba demasiado la atención (otra película de animación con animales actuando como humanos con chistes y humor de guiños y codazos, y van…), pero ya he leído críticas positivas e incluso algunos me la han recomendado. Tu análisis me ha convencido, y aunque dudo un poco que vaya expresamente a verla al cine (siendo temporada de Oscars ahora hay un montón de películas con las que cumplir), no le perderé la pista y procuraré verla en cuanto pueda. Lo de los gags con el “carácter” de cada animal puede dar mucho juego. Y con su moraleja y todo, pues mejor que mejor. Apuntada queda.

    1. Obviously you have to be fan of the genre of animation to enjoy this movie butt, and I am what, and it shows 🙂 But it really managed to raise the expectations with which I went to see it. I went by inertia, because I tend to attract these productions. And I went more than happy. But everyone has a heart, his humor and his idea of ​​what should be emphasized or not in history. I think if you put it at home will not disappoint, you will play it safe 🙂 And as it should be, it is best to leave the responsibility of the theater to the stories that most motivate you. Thanks for write!

  2. Since the saw-announced drew attention, but as you read reviews every time I have more desire to see. Espero que las expectativas no sean muy altas y luego me decepcione. Quiero ver, sobre todo, como utilizan el tema de los animales para hacer una crítica social para niños, las pelis de Pixar siempre tienen ese enfoque que te deja pensando varios días y dejan su huella, las de Disney no tanto, así que a ver como lo enfocan.

    Un placer leerte Alberto.

    1. Es cierto que cuando oyes tantas alabanzas de una película las expectativas suben hasta un punto que luego es difícil alcanzar. Ésta podría ser una película Disney más, ya que sigue los patrones de la casa. No creo que se trate una apuesta arriesgada, pues los estudios dominan este género y han tirado mucho de sus armas y clichés de antaño. Lo que ocurre simplemente es que es un buen producto. La animación está cuidada, la historia es muy coral, da mucho juego la fauna animal -aunque hablando con unos amigos echamos en falta algunas especies-, y efectivamente, tiene su moraleja. Y también tiene sus pullitas a la sociedad americana -sutiles, al estilo “the simpsons” de su época dorada- que fueron las que me ganaron. Ojalá la disfrutes lo mismo que lo hice yo. Aunque ir “virgen” a la sala ayuda mucho. Thanks for write!

  3. Me ha encantado la frase: “la vergüenza (…) revalued discrete seats against the wall on the side of the room, than at any other time would have been a detestable location. But at that time they were perfect: like the famous arriving incognito to avoid being recognized, esa posición permitía esconderse de las miradas y ver la película con un cierto aire de soslayo.”
    Me apasiona la forma en la que Disney conjuga la animación con contenido para adultos, como se vio en películas como Up o Wall-e. A parte de recordarnos lecciones de vida, It allows us to keep the child in all of us. Where is Disney animation, that all the world DiCaprio remove hehehe.
    Without giving anything, Your article provides a comprehensive view of the film and encouraged to see (Tell the truth, Did Disney has paid you for it?…if not so, should ;D).

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